Monday, May 22, 2017
This one's adapted from a 1964 episode, called "Planet of Giants," where the Doctor and his companions are miniaturized and have to contend with ordinary house creatures such as flies and a cat which are now the size of cars and houses. The menace is a newly developed insecticide which is revealed to kill all life, not just insects. The travelers manage to communicate from their miniaturized state and are able to escape back to the TARDIS where they are restored to normal size.
Original drawing is ink on illustration board, about 5 1/2" x 5 1/2", summer 1981.
Sunday, May 21, 2017
We were going to go to the Virginia Wine and Craft Festival this "Wine Saturday" but decided not to, due to the high price of admission and the chilly overcast weather. Instead we went to an old favorite, "Otium Cellars," where unusual and delicious German varieties are offered. We sipped in the hand-built wooden tasting room, watching the beautiful horses who live in Otium's show barn. Cheese, crackers, sausage, and fine wine made a good decision out of a dropped festival. I got to meet a dressage rider and her big brown horse, "Bee." As always I had my art stuff with me and did Winery Art including, if you look closely, a golden horse with white face and tail.
Sepia brown tech pen ink, colored pencils, finished in studio, May 20, 2017. Click for a larger view.
Saturday, May 20, 2017
I do the drawing first in black or brown marker and color markers. Then I scan it and send it over to Photoshop for coloring in. I blog that and save the original line drawing. After a while I color the original drawing in colored pencil and markers, and re-post the image from the paper final, which is what this is. So you and I get two color and texture schemes for the price of one. This "re-mix" has some spacey and metallic inspirations. Better than a jaw-dropping visceral dumpster fire I suppose.
Markers and colored pencil on sketchbook page, 4" x 4", May 2017.
Friday, May 19, 2017
The "Three Graces" is an ancient theme used for art work since Greek classical times. It shows three lovely ladies holding hands, each one representing another virtue or good thing such as "Splendor," "Mirth," and "Good Cheer." When I was doing fan art for zines back in my earlier days my clients had me illustrate an article about the evolution of Wonder Woman. When the character was first created she had a bit of "Wild West show" about her with her lasso and a ruffled skirt. Other later costumes from the fifties showed her in circus garb or a shiny bustier. Wonder Woman continues to evolve and is now about to appear in yet another superhero movie though the costume is quite different from the old styles. I illustrated Wonder Woman's changes by showing her as a triple version of herself (but not "Triplicate Girl") and I made her into the classical Three Graces.
Original art is black ink on illustration board, 5 1/2" x 6", summer 1980.
Thursday, May 18, 2017
This image is adapted from one of the last Who series that William Hartnell played in. The time frame is 1066 AD, just before the Battle of Hastings and the Norman Conquest. A rogue Time Lord, disguised as a monk, is causing trouble on Earth, interfering with the time stream and introducing non-period technology like the light bulb he holds at the top left corner.
I experimented with pen strokes on this drawing, using them a bit more loosely like some of the early 20th century pulp or society illustrators. Hartnell is at center.
Black ink on illustration board, 5 1/2" x 6", Summer 1981.
Wednesday, May 17, 2017
The background of my current book cover work depicts spring gardens as well as the "Tudor palace." I took inspiration from the legendary and fantasy-prone Thomas Kinkade to create the environment. But this is, more or less, a real environment, my own area in springtime. There are azaleas of many brilliant pinks and lavender, dogwoods in white, and an abundance of spring green. Then it is all gone. Kinkade is only right once a year. The gazebo symbolizes a wedding since this story from Stasheff is a romantic comedy. The yellow thing at left is part of a character's costume. I should be done with this soon and you'll get to see the whole thing.
Excerpt from "M'Lady Witch," cover in progress, Photoshop. May 2017.
Tuesday, May 16, 2017
William Hartnell looks like an old orchestra conductor in this one, but he's more than that, he's Doctor Who. This episode, which features the biorobotic enemy the Daleks, as well as a museum displaced in time, is from 1965. Just in case you need to know the storyline and characters here, it's at another Talmudic site, "Wikia" fannish. These costumes are made from what looks like construction paper, but not the Doctor's bow tie.
Original drawing is black ink on illustration board, 5 1/2" x 6", July 1981. I had no clue in 1981 that I would be transcribing these old illustrations to digital and sending them forth into a vast world of information I could not envision.