Copy Quik Note Scrap Window

 

In the 1980s and 1990s I helped edit and illustrate numerous "fanzines" (for those still unaware of them, self-published magazines about various fantasy or other pop culture.) This meant that  I had to spend a lot of time at the copy shop and the post office. The box you see here isn't mine but this is a typical fan working environment.

I have hundreds of these magazines in my closet, gathering dust. I wonder whether any fan historian, archivist or author would want them.

Black tech pen, 4" x 6", October 19, 1984.

 

Color Stays Through Winter

 

This scene of my back yard on a misty winter evening shows the "theme color" I picked for 2020, "light green earth." These plants aren't evergreens, but they stay green through a mild winter such as we have in MidAtlantica. Next year 2021's theme accent color will be "cadmium red medium," a rich spectrum red.

Photoshop, 6" x 4", December 30, 2020.

 

Portrait of Baby Sam 1984

 

Sam Jones, the son of my friend Laura Jefferson-Jones, was born in the late August of 1984. T Throughout the days and years to come, I helped raise him. He is the closest person I have to a child of my own. Instead of nursing him, I drew him. I've drawn many children but none as frequently as Sam. He is a grown-up now with children of his own.

Black tech pen on sketchbook page, 4" x 4", September 23, 1984.

Complementary Color Space

If I have nice pre-made shapes in my files, why not use them? And all the colors on your palette available without getting paint on your dreadlocks? Here's a Photoshop sketch with complementary colors that don't turn grey.

Photoshop, 6" x 5", December 28, 2020.

 

Piney Suburbs Silver Lake Dodge

 

I'm still waiting for my mother at Silver Lake Dodge. It's a car dealership and maintenance place located in Wellesley Hills, Massachusetts, about 20 miles west of Boston. This is the customer parking lot. You can see the angular squared-off style of the car in front of us. This is before cars looked like Japanese toys, the way they do now, including mine.

Black tech pen, 8 1/2" x 5 1/2", September 18, 1984.

Piney Suburbs Boston Area

Back from California I returned to the piney woods of Massachusetts where I was born and raised. In this scene I'm sitting waiting for my mother on an appointment so naturally I pull out the sketchbook and draw. What you see is a turnoff for Route 9, a dense commercial and office route in Metro Boston. There are lots of pine trees in this area. If you draw all the textures this is a good way to use up the ink in that black tech pen.

Black tech pen on sketchbook page, 6"x 5", September 18, 1984. 

Groundless Attempts to Apologize

 

Believe it or not, 2/2 is only a few weeks away. "Groundless," the "iconic" hero of this By-Product, appeared on Christmas Day to apologize for all the misery of 2020. But wait, that's not even his department, which we know only too well. Do we think that "Groundless" will clean up his act in 2021? Well, we will be thanking the world because of missing one thing which was in the rodent-filled White House and gone for good we hope. Folks...all I want for Christmas is an honest, kind, authentic comment on this Blog that is not a spam. Not too difficult I hope. But keep hiding, the icy wheels of 2020 are still turning.

And a very merry Holiday Season to all my readers! 

Brown ink on detached sketchbook page, 7" x 4 1/2", December 25, 2020.

I Went to Disneyland 1984

 

When the convention was over many of us went to Disneyland for a day of relaxing fun under the California sun. I love theme parks, especially for the snack foods, the playful architecture, the fountains, rides, displays, almost everything except the ridiculously overpriced merchandise. Disneyland in 1984 was still going strong on the "Jetsons" or "Googie" fun architecture from the mid 50s to mid 1960s, and I still love that style. As an example, look to the right of the image where the white conical build of the "Space Mountain" small roller coaster towers over the midway. I rode this coaster with its spacey light-effects and had a grand time. But it was also time to go home, back to Cambridge where I eked out a living doing commissions, game art and fan art.

Black tech pen, 8" x 5 1/2", September 4, 1984.

Brass Bra

If you are a "barbarienne" at a big convention you must make sure to wear your very best and so she did. The metallic bra, a standard costuming heroic-era design, was not just her fashion statement but also an attempt to actually make and wear one that would be protective and comfortable all together (though the rest of her is, of course, vulnerable to spears, swords, and arrows.). The cups were not chain or scale mail, which would be awkward and cause pain, but actual tooled brass, set into a leather harness. It's also good that these costumers live and show their work in the mild climate of California. 

The LaCon 1984 costume show was one of the longest anyone in the Worldcon biz had ever seen. We were there for more than three hours. This prompted a time limit on presentations which was welcome, even by the winners.

Your costume just won "Best Recreation of an Artwork !"  What will you do tomorrow?"

I'm going to  Disneyland!!

Black tech pen, 5" x 8", September 1984.

Star Wars at Anaheim Hilton

 

I returned to drawing buildings, the not-so-spectacular Anaheim Hilton hotel where most of the media and movies were displayed. In those days, "Return of the Jedi" was a recent release and there would be a marathon 3-movie binge (this usage had not been invented yet) of what is now middle episodes of George Lucas' trilogy x 3. The people sitting in the foreground are waiting to get in. I didn't draw any Star Wars characters or costumes but looking back it seems so fresh and exciting.

Black tech pen, 5 1/2" x  8 1/2", September 2, 1984.

Last Week of Advent

 

My abstractified Three Kings are coming close to the scene of Incarnation which glows like the sun but is not the sun. The conventioneers can hold off a bit. Will there be a flood of angels pouring from the sky when the Kings arrive? "Fear not!" or perhaps "Holy Moley!" Whatever astonishing or even terrifying comes to mind, it glows like the rising sun of the Winter Solstice.

Photoshop, 5" x 6", December 21, 2020.

Purple Wizard Badge Master

 

This guy didn't come to the convention to show off a costume - he just came to have fun. His robe, an amateur creation in purple, was there to display his collection of message badges. These badges with witty sayings written or printed on them are a standard piece of fannish decoration and conversation starters. When I named this costume I simply called him the "Purple Badge Wizard," and that's all he needed.

Black tech pen, 5" x 8", September 2, 1984.

Note on tech pen: You'd think that after all this drawing I'd run out of tech pen ink, and indeed I do. The pens are disposable and easy to replace in various brands and point sizes. There is even a 120-piece of tech pens available in 120 different colors (but only one size), definitely a temptation for art gear lovers like me.

Giant Puppy LA-Con 84

 

Some costumes covered the entire body of the costumer, which must have been stifling in the California sun. This is a good example of the "mascot-style" costume, like the ones worn by team mascots to excite and amuse the crowd at games. The designer here even invented his own humorous character to play with, which you can see in my notes at upper right. Most costumers in this type of creation stayed inside, glad for air-conditioning. Click for my notes in larger view.

Black tech pen, 5 1/2" x 8 1/2", September 2, 1984.

Pink Sea Monster Border

 

Here's the colored-in border of my "Black Diamond" design. It didn't look like a monster until I colored it in. The monster's on the right, and perhaps a warrior is coming up on the left to challenge it. I don't believe in killing or even wounding monsters, unless they are evil monsters, which are very rare. Most monsters I have known at least of the bio-critter kind are morally neutral, and it is useless to harm them because they will just return, a bit angrier than before. Many animal monsters have been forced to act like monsters. I feel sad when innocent monsters are hurt. The evil monster arises from ourselves, no matter how tiny the creature is.

Ink drawing, colored in Photoshop, 8" x 2", December 2020.

Large Inflatable at LA-Con 1984

 

Conventioneers and visitors were greeted in the convention center parking lot by this giant inflatable robot which was anchored to three palm trees. It oscillated with the breeze and amused onlookers. As days went by Mr. Roboto lost his gas and with no way to re-inflate him, he wilted under the sun. By the later days of the week-long convention, he was bowing to us and had to be taken down.

Black tech pen, 5 1/2" x 8 1/2", September 2, 1984.

Julian May festive headdress 1984

 

The costumes you've seen so far in my sketches have been the less ambitious and flashy "hall costumes." Here are some of the more elaborate ones including this one, the "Goblin's Bridal Crown." This is what happens when you publish fantasy fiction written by a master costumer. She wants to bedeck her characters as much as possible, as do the other master costumers on stage. She gives lavish descriptions of the get-ups and gear and props and special effects. The master costumes for many of these acts resemble Las Vegas showgirls, fashion galas, or even Disneyland performers, only a few yards away from here. May wore this headdress as a non-contest display item, since it had already won many prizes. I took a lot of notes. The original colors of the thing were pink with gold highlights and everything was SHINY.

Black tech pen, 5 1/2" x 6 1/2", September 2, 1984.

Advent 2

 

Now that's better. The traditional motif  of the Three Kings and Star will do well for my 2020-2021 Holiday Card, even if it's "Western-Christmassy". This year in keeping with social distancing and not going into public areas my Holiday Card using this image will be sent out "virtually". I hope that you readers of my Blog will enjoy it and may 2021 give you endurance for what might lie ahead.

Photoshop, 5" x 6", December 15, 2020.

Big Palm Tree Anaheim Convention Center

I must really like palm trees. This blog has numerous images of them, especially in California. I have often said that if I was filthy rich I would move there and have a garden home with all sorts of plants. But it isn't gonna happen, so I visit and draw. This is one of the "guardian" palms at the door there, looking like "Hollywood Babylon."

Black tech pen, 5" x 8", September 1, 1984.

Lil Grumpy and the Tower of Refuge

 

"Lil Grumpy" is another of my tiny monsters, but even with scales and reptilian spines he's harmless and non-aggressive. He wishes he were as big as the tower, where I stay while avoiding the pandemic, but he's just a little guy and he has no dinosauric fierceness. He can always eat seeds and bugs and other foraged edibles.

"I wanna be a dinosaur!"

"Grumpy, you're 4 inches long! And no one wants to eat you, either." 

"Eat my cactus. See how big I am compared to the tower?"

"That's called "perspective." By the way, there's a large chunk of something headed toward the Earth. It hits and wrecks the environment, killing off the dinosaurs. Your people survive. That's perspective, too."

Black tech pen ink on sketchbook journal page, 4 1/2" x 2", December 13, 2020.

LA-Con Palm Trees 1984

 

There were big, live palm trees in front of the Anaheim Convention Center. I had seen live palm trees elsewhere, such as in southern Europe, but these were in America. I turned to my fellow East Coast conventioneer and exclaimed "PALM TREES! HOUSE PLANTS GROWING RIGHT THERE IN THE DIRT!" As I have said, I don't get around much but now I do. I had to draw them, right there on the main concourse with the movie stars and costume show conventioneers.

Black tech pen, 7" x 4 1/2", September 1, 1984.

Note: The sticker in the corner is an ad for a future Worldcon to be held in 1989 in Boston. It takes at least 5 years to put on a Worldcon so they plan very much ahead when they have won their bid. Boston won their bid but since I was busy moving I didn't have time to go so they went on without me.

Ladies of LA-Con 1984

Here are some more fashion concepts from LA-con.The top one is titled "Cat Creature" and was made by the wearer out of an old glasses frame, feathers, solder, and cloth "ears". This was only a head piece; the rest of her garb was a jumpsuit, or a catsuit. The lady in the lower page has a sort of Princess Leia look about her. I like science fiction that describes and inspires nice fashions. People wore good stuff back in the future.

Black tech pen on this same sketchbook, 4 1/2" x 7 1/2",  September 1, 1984.

Creature Family

Most living things have some sense of family, or at least kinship. Even if families are made up of chaotic creatures, they may recognize other members. Chaos can be helpful; you never know. Chaos doesn't always have to be kinship. In this, yes, chaotic year, I have been helped by non-kin friends. More than cousins, who were unavailable. Let's hear it for chaotic creatures!

Black tech pen, 8" x 2 1/2", December 10, 2020.

California "Primitive" LA-Con 1984

 

Most of the costumers at LA-Con were amateurs, just there to show off what they had made. This gal was in that category. The concept was "Modern Primitive," a "Stone Age" concept featuring a leotard and arm and leg wraps all done in soft leather sewn together. I thought she looked like a perfect California beach babe with a dark tan and shining blonde hair. I always ask whether I can draw people's portrait before I do it and I was glad that she was happy to pose.

Black tech pen, 4" x 7", September 1, 1984.

LA-Con 1984 Fur Trim

 

Methinks she put a little too much FAKE FUR trim on that costume. But it served us well as she guided us through the land of furry display and craftsmanship. Actually, no...all these portraits were done on-site standing in the convention plaza and took only minutes to do. In "real life" this costumer was in the Navy.

Black tech pen, 4 1/2" x 8", September 1, 1984.

LA-Con Goddess 1984

 

Here's another all-white concept somewhat "Grecian" again. Her costume is minimal but well-made. Though she called herself a Goddess, she could well enough be the Maid of Honor at someone's wedding.

 Black tech pen, 5" x 8", September 1, 1984.

"OVO," a little pseudo-reptilian friend

 

No, it's not a Worldcon costumer. It's "OVO," a little harmless creature no bigger than a turtle, who passes his time between sunlit rocks and shallow waterways. He's called "OVO" because his face and eyes look like those letters. His eyes look blank because he has his protective membrane deployed. OVO is not fierce or toothy, he mostly lives on the green stuff in the water. In this view he is seen front face.

Black tech pen on sketchbook journal page, 3" x 2", December 6, 2020.

LA-Con 1984 Futuristic Fashion

 

This is my favorite costume I saw at LA-Con. Its futuristic robe design mixed ancient Greek details (the wrap-around sandals) with Byzantine motifs (rectangular applique's) and a well-fitted ceremonial robe opening at the side. The whole costume was white with gold trim. The guy wearing it was an industrial graphic designer and a lot of creativity went into this asymmetrical 

concept. 

Black tech pen, 3" x 8", August 31, 1984.

Advent 1

 

Advent, for the non-religious among my readers (?) is the period of time four weeks before Christmas. This is a time of devotion among Christians, as they get ready for the celebration. One lasting Advent tradition is the use of the color purple, which signifies penitence and forgiveness. In Roman Catholicism and other Christian groups, the celebrating priests wear purple vestments.

I'm taking a break here from Worldcon 1984 to experiment with Advent motifs, including this one with the abstractified  images of the Three Kings who went on a journey guided by the Star. This journey is shrouded in mist, the star behind the fog, as for the first week in Advent, the journeyer doesn't know where he or she is going. I worked on this one in my mind before committing to pixels. The color is right but the abstraction with landscape and Kings is not.

Back to sketchbook and Worldcon tomorrow.

Photoshop, 5" x 5", December 4, 2020.

LA-Con Re-enactor 1984

 

Costuming isn't just for girls. I saw and drew some terrific male costumers and re-enactors at LA-Con. This guy, a historical re-enactor, was wearing armor and weapons from the 18th century I think, except the workmanship was done right in the good old USA.

Tech pen, 5" x 8", August 31, 1984.

LA-Con Elfquest Costume 1984

 

Another way to do costuming is to create wearable reproductions of known and described characters, duplicating images most fans know. You fellow fans know this one. She is "Leetah" from the graphic novels "Elfquest," created by Wendy and Richard Pini. She and her world were popular in the 1970s.

Black tech pen, 4 1/2" x 8 1/2", August 31, 1984.

LA-Con Costumers Slumberland 1984

 

Here are Julia and Cynthia, skilled costumers, dressed in costumes inspired by classic American fantasy worlds such as "Oz" or "Little Nemo in Slumberland." You see my memory notes all around the figures, designating colors and areas of workmanship. I design costumes but I don't make them.

Black tech pen, about 5" x 8", August 31, 1984.

LA-Con 84 medieval costumer

 

Costumes have been a big part of conventions since the beginning of science fiction/fantasy fandom, back in the 1930s. And in Southern California so close to Hollywood, many fashion-oriented fans trek to the TV and movie sets and producers hoping to find work in a field that thrills them and the audiences as well. 

This medieval costumer's garb is fairly authentic in design, if you look at medieval sculptures or illuminated manuscripts. An elegant lady of noble or even royal status meets the streets of Los Angeles. 

Black tech pen, 4 1/2" x 7 1/2", August 31,1984.

Cargo Area, Dallas-Fort Worth Airport, 1984

 

I love infrastructure. You never see it working but it's always there, shipping your stuff to you and their stuff to them. They put it in the modules and there it is in California waiting for you, at least most of the time. If you look closely you can see some broken or empty boxes which could be someone else's disaster. Not mine, not today.

Black tech pen, 8" x5", August 30, 1984.

Logan Airport control tower 1984

 

And here's a futuristic view of planes and the control tower at Logan, built in "brutalist" concrete style in modernist 2007.

Black tech pen. These are all sketchbook pages. 8 1/2" x 5 1/2", August 30, 1984.

Logan Airport, California Worldcon 1984

Here I am at Logan Airport Boston, getting ready to board a flight to Southern California  for "LA-Con 2", the 1984 Worldcon. Despite the ominous year name, the convention was more playful than Orwellian. I did a lot of conventioneering in the 1980s and 1990s, showing original art I had painted, but  my successes were sporadic and I never got the big career as a fantasy and science fiction artist that I wanted. But I did make lifelong friends, some of whom would be at this convention.

Black tech pen on sketchbook page, 8" x 3 1/2", August 30, 1984.

My View in Cambridge

 

I drew this streetscape from the front porch of my house in Cambridge, Massachusetts, in 1984. The vintage sketches I will be showing you will be mostly from the mid and later '80s. Depicted here is the intersection of Hammond Street, where I lived, and Howland Street, perpendicular to Hammond. The car that you see parked there is actually a sports car, possibly a Dodge Charger. It was lemon yellow and belonged to the little old lady who lived across the street from me. She only used it to tool around the city doing errands or looking for yard sales on weekends. She never drove it fast and I often wondered how such a mild person came into such a prized possession. 

Black tech pen on sketchbook page, 5 1/2" x 8", August 27, 1984. Click on image for larger view.

Eugene Walter Rome 1976

 

This somewhat demented Green Man was a literary celebrity named Eugene Walter. He was a devoted Southerner from Mobile, Alabama but at the time I met him he was living in Rome as an expatriate writer. According to what I've read about him, there wasn't anything cultural he couldn't do. He acted in Fellini films, wrote a gourmet Southern cookbook, wrote fiction and criticism, helped run famous literary bookstores, and was a songwriter and puppeteer. His life sounds wildly interesting. I was invited to his Roman home in the spring of 1976 and I must have tasted his cuisine there. I have no idea, 44 years later, who invited me. One thing I do remember is that he let his cats walk around on the dining table while we ate. 

He gave me one of those "signed celebrity memento photos" which is what this is. He signed it "For Cousin Hannah  Love from Cousin Eugene  Rome '76." This inscription is special and has a Southern meaning I don't quite get. Why does he call us "Cousins?" Is that good, bad, or both? I'll have to ask one of my Southern friends. 

Photograph, about 6 1/2" x 10", spring 1976). It was in my Roman sketchbook.

Most Holy Name of Mary

 

In my humble opinion this is one of the best architectural drawings I've ever done. Given the richness of the subject matter, all I had to do is sit and draw, and erase a bit. This is the dome of "Santissimo Nome di Maria," a Baroque masterpiece created in the 18th century. I'm not sure about the Most Holy Name but it is a Marian devotion and quintessentially Catholic. This church is not too far from the Vatican and is built over the ruins of the Forum of Trajan.

Pencil on sketchbook page, drawn on site, 6 1/2" x 10", 1975. Click on image for a bigger view.

Mid-Century Black Diamond Lobster

 

It isn't an advanced-skills ski track, it's another sketchbook date border which has been de-worded from the space in the center. Most of the design is mid-century modern, that spacey style that I witnessed as a young design fan. Some of this is inspired by my mother's art, which was itself inspired by the work of Kandinsky, if he had lived in New England and ate lobster, which my mom did not eat. But she did paint a picture of a pile of lobsters, which was painted and exhibited in the early nineteen forties and got much acclaim. We discovered this picture when we were cleaning out the old house. It has now been five years since my mother's passing. ""Lobsters" is in storage somewhere in the Boston area.

Here it is:

Encaustic on hardboard, c. 2 ft x 3 ft, 1939, Esther Geller

Rome Dome San Rocco

 

Rome is full of churches, most of them built during the old days of the imperial Papacy, when churches and parishes competed in the 17th and 18th centuries for the most elaborate domes, art, stonework, and architecture. This edifice is the dome of the Church of St. Rocco. St. Rocco was a healer saint and his shrine was built next to a hospital and maternity ward, which is no longer standing. Many of these domes were painted in the interior with scenes of heaven and floating angels.

This drawing was done on site and later glued into my Roman sketchbook. Now 45 years later the glue has dried up and the drawing has an antique look to it.

Pencil on sketchbook leaf, 10" x 8", 1975.

Saint Saba Church in Rome

 

This church interior is the medieval structure of Saint Saba, located in a rather unpopulated part of Rome. The church's location in an old noble estate was settled by Eastern monks fleeing the Islamic conquest in the 7th century A.D. In those days there was much less distinction between "Eastern" and "Western" Christianity. You can still see columns and lanterns and archways in contemporary Orthodox churches though the Western ritual is 1000 years away from the Eastern nowadays.

Pencil on sketchbook page, 7 1/2" x 7", 1975.

Seen on Roman Streets

 

I started street drawing (also known as "urban sketching") as soon as I got to Rome. One of the first and most obvious places to start was the famous "Spanish Steps," a spectacular stone stairway at the Spanish Embassy. People from all the world came to see this, and they sat on stone benches around the fountain at the bottom of the stairway. In those days you could see "Hare Krishna" devotees in every major city, Rome included. There's one now, dressed in his cotton rumpled pajamas, passing out Hare Krishna literature. Just another figure in the sculptural environment of the Eternal City.

Pencil on sketchbook page, 7 1/2" x 9", 1975.

Roman Atlas Telamon

 

As I have said before, when I was living in Rome in 1975-76 I used to sketch on the sidewalks. Rome was so full of interesting architecture I could never get tired of it. Buildings were full of details that you might only see if you walked close to them. This is an ancient Roman sculpture known as a "Telamon." It is a mythical fantasy figure: a brawny guy holding up the building at its cornerstone. "Telamon" means "bearer." He's like Atlas but he's not holding the whole Earth, just a building. You can't see his face because thousands of years have worn it away. This was incorporated into a more recent structure. I got a chance to draw it despite the traffic on the busy street.

Pencil on sketchbook page, 6 1/2" x 9", 1975.

Pimmit Garden

 

"Pimmit Hills" is the name of the general area I live in. The "Pimmits" were a family of white settlers who owned this land including the stream, "Pimmit Run" where I live. The neighborhood is thickly settled with small houses, built originally in 1950 for GI's and their families returning from the war. Most of these have been rebuilt or built onto and these re-worked houses have lots of gardens around them such as this one. It must have taken a lot of work to create this. I had a garden when I lived in Cambridge, Mass. many years ago but once I moved to Pimmitland I couldn't have a real dirt garden and had to settle for potting soil in containers. This image was done on site with no resistance from the inhabitants. Nowadays it's harder to do that, because they think I am trying to rob their house.

Brown ink and colored pencils on sketchbook page, 4 1/2" x 6 1/2", June 3rd, 1998.

The Old Swimming Pool 1998

 

This is what I see out my bedroom window on a lovely summer day. The season and the pool are only in action for two months (July - September) but they keep busy. They also are noisy, screaming and splashing until it gets too dark to stay in the pool. But they are having a good time and that's what counts.

This year, the accursed 2020, made this impossible. By June the pandemic had hit hard and most public or domestic swimming pools, gyms, and restaurants were closed. My apartment management had already started to renovate the pool, so they just never opened the pool and kept on renovating. This renovation was noisier than the kids had ever been, as the workmen chipped off the entire inner concrete surface with tiny jackhammers no larger than a vacuum cleaner. In my dim opinion this may have been a scheme to keep the workmen on site earning money rather than being unemployed.

Their chip work filled my apartment with coarse white dust, which I am now attempting to clean off from the surfaces inside here. They finished their job in September so even though the pool was ready it was too cold and too plague-risky to open. So they filled the renovated pool with water and installed a tightly fastened plastic tarp over the whole area of the pool, to keep leaves and debris out. Why didn't they do that in other years past? A profound philosophical question left unanswered.

You can wake up now.

Brown ink and colored pencils, 6" x 5", May 25, 1998.

Chaotic Pup

 

It is possible to be cute and horrific at the same time. This little fellow, whose configurations are constantly changing, proves the chaotic point. How many legs? How many eyeballs? I don't know, and neither do you, but he was adorable at first sight when you found him at the Alternate Reality  Shelter.

Ink on sketchbook page, 4 1/2" x 2", November 15, 2020.

Hemerocallis Lilies

 

You know it's summer when these flowers bloom. They are Daylilies, or hemerocallis as the biological name would have it. Hemerocallis means "beautiful by day," since each flower only blooms for one day. Every so often I do some botanical art and this is one of my better pieces, though it is small. This is from actual specimens as the flowers grew directly in front of my old home in Cambridge, Massachusetts.

Brown ink and colored pencils on sketchbook page, 3 1/2" x 5 1/2", June 20, 1998.

Unusual Mall Interior Design

 

Tysons Corner Mall, my favorite indoor commercial drawing spot, once had a secluded area with a water fountain element and this unusual serpentine-form bench. This area was welcome to customers on hot summer days, and kids often dipped their hands in the water. I sat here and drew the scene on a not-summer day but I had to record this place in my book. Some time later the whole area was re-done and the water and bench was removed. It was replaced by a sushi bar in which little plates of sushi were delivered to you on a conveyor belt.

Brown ink, colored pencils, and markers on sketchbook page, 6 1/2" x 3 1/2", March 2, 1998.

Retreat House Lobby

 

And here is the small lobby of the retreat house, where we could sit and talk and have snacks and coffee. Out the picture window you can see a monument with sacred words inscribed on it, and a red-leafed Japanese maple tree with new spring foliage. One for the nicest things about retreat houses is that they offer a relatively safe place to walk and observe nature and wildlife. The birdwatching here was excellent, a welcome relief from staring at the screen all day.

Colored pencils and brown ink on sketchbook page, 5" x 6", May 8, 1998.